Hailed as “clearly a young singer to watch” (Opera Today), Mezzo Soprano Claire Barnett-Jones has performed as Soloist on the Last Night of the BBC Proms at the Royal Albert Hall, for Opéra National de Bordeaux, with the Orchestra of Valencia, CBSO and at the Wigmore Hall. 

She has had much success in competitions, most recently winning the Wagner Prize of the Netherlands and the Junior Jury Prize at the 52nd International Vocal Competition, s’Hertogenbosch. She also has recieved the Elly Ameling Masterclass Prize(Lieder) at the 51st IVC Competition, the Dame Patricia Routledge English Song Prize, the Cecil Drew Prize for Oratorio, Major Van Someren-Godfrey Prize for English Song, the Guildhall English Song Prize and Susan Longfield Award for female singers, the Leamington Festival Music Prize, the Birmingham Town Hall/Symphony Hall Recital Prize, the Mario Lanza Opera Prize, and she was a finalist in The Royal Overseas League, Maureen Lehane and the Dean and Chadlington Singing Competitions.

Recent operatic engagements include Dryad (cover) in Ariadne auf Naxos, Suzuki (cover) in Madama Butterfly, Annina (cover) Der Rosenkavalier, all for Glyndebourne Festival Opera. She made her Glyndebourne Festival Debut as 2nd Noble Orphan in Der Rosenkavalier In 2018 and sung Aninna in La Traviata for Glyndebourne Touring Opera later that year. She was presented with the Wessex Glyndebourne Association Award In 2017 for a young singer of much promise.

She created the role of ‘Alto 1’ in the Stockhausen’s Mittwoch Aus Licht with Birmingham Opera Company and BBC Proms, directed by Graham Vick. For British Youth Opera she performed Maurya Riders to the Sea, where she was awarded the Basil A Turner Prize. For Buxton Festival Opera she has performed Gertrude in Charpentier’s Louise conducted by Stephen Barlow.

Claire studied at Birmingham Conservatoire, and Royal Academy Opera at the Royal Academy of Music. She was a Kohn Foundation Bach Cantata Soloist and a member of the Royal Academy of Music Song Circle.

Claire’s other repertoire includes roles such as; Mrs Paskova The Cunning Little Vixen conducted by Lionel Friend, Emma Jones Street Scene (Weill) conducted by Ben Kennedy, Zita Gianni Schicchi conducted by Michael Seal and Sorceress Dido and Aeneas conducted by Andrew King. For RAO she sang La Zia Principessa Suor Angelica, Baba the Turk The Rake’s Progress, Hexe and Mother Hänsel und Gretel, HRH The Grand Duchess of Monteblanco The Dinner Engagement, Marcellina Le Nozze di Figaro, Sister in Law Rimsky-Korsakov's May Night and Ottavia L’incoronazione di Poppea.

Her studies were generously sponsored by the D’Oyly Carte Memorial Fund Scholarship, The George Drexler Foundation, The May Gibson Charitable Trust, The Josephine Baker Trust, The Countess of Munster Trust, The Winship Foundation, and The William Gibbs Foundation. Claire completed her studies as a Scholar on the Artist's Diploma at Guildhall School of Music and Drama and studying with Prof. Susan McCulloch.